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Serif Flared Mepi 9 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Albra' by BumbumType, 'Amarga' by Latinotype, and 'Blacker Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, magazine titles, packaging, branding, dramatic, editorial, vintage, theatrical, assertive, display impact, stylized classicism, strong texture, poster drama, flared, wedge serifs, beaked terminals, sharp joins, tight counters.


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A compact, display-oriented serif with sculpted, flaring stroke endings and wedge-like serifs that create a carved, chiseled silhouette. The design shows pronounced thick–thin modulation and crisp transitions, producing strong triangular notches and beaked terminals in many letters. Bowls are round yet tightly enclosed, apertures tend to be narrow, and the overall rhythm is dense and blocky despite the expansive proportions. Numerals follow the same high-contrast, flared treatment, with curving forms and pointed terminals that keep the set visually cohesive.

Best suited to headlines, deck copy, and large-scale statements where its sharp flares and high-contrast modeling can read as intentional detail. It works well for magazine titles, posters, packaging, and branding that want an expressive, classic-meets-stylized serif voice rather than neutral text readability.

The tone is bold and theatrical, mixing classical serif cues with a stylized, poster-ready sharpness. It feels editorial and vintage-leaning, with a slightly gothic or circus-playbill edge created by the exaggerated flares and pointed details.

The likely intention is to deliver maximum display impact through exaggerated flared terminals and a carved, high-contrast construction that evokes traditional serif heritage while feeling more graphic and poster-driven. It appears designed to create a distinctive texture in short phrases and title lines.

Across both uppercase and lowercase, the font emphasizes strong vertical presence and dramatic terminals, which increases impact but can reduce clarity in smaller sizes due to tight counters and narrow openings. The italic is not shown; the sample indicates a consistent upright stance and a highly graphic texture in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸