Sans Other Ohli 5 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, gaming ui, tech branding, packaging, tech, arcade, industrial, futuristic, utilitarian, display impact, digital feel, industrial voice, modular construction, distinctiveness, square, angular, blocky, stencil-like, geometric.
A heavy, squared sans with a pixel-like, modular construction and consistently sharp corners. Strokes are mostly monolinear and built from straight segments, producing boxy counters and rectilinear curves that feel engineered rather than drawn. Many joins and terminals show deliberate cut-ins and notches, creating a quasi-stencil effect and a strong, gridded rhythm. Proportions stay compact with wide feet and flat caps, and the numerals echo the same angular, segmented logic for a cohesive, display-forward texture.
Best suited to headlines, logos, posters, and title treatments where its blocky silhouette and cutout details can read clearly. It also fits game graphics, interface labels, and tech or hardware-themed branding that benefits from a digital/industrial voice. Use with generous size and spacing for short bursts of text rather than long reading.
The overall tone reads digital and industrial, with a retro arcade and sci‑fi flavor. Its rigid geometry and cutout details suggest machinery, UI labels, and technical markings rather than editorial warmth. The texture feels assertive and game-like, optimized for impact and a sense of systematized order.
Likely designed to capture a modular, grid-driven sans aesthetic with a distinctive notched construction that evokes stencil signage and early digital display forms. The goal appears to be strong recognition and high impact through squared geometry and consistent, system-like letterbuilding.
The design relies on rectangular apertures and squared counters, so interior space can close up quickly as sizes drop. The distinctive notches add character but also increase visual noise in dense paragraphs, making it feel most comfortable as a headline or short-form face. Diagonals (notably in V/W/X/Y and some uppercase forms) introduce a slightly more dynamic cadence within an otherwise strictly orthogonal system.