Sans Other Ohmo 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Elephantmen' and 'Elephantmen Variable' by Comicraft, 'Obvia' by Typefolio, and 'Axial cut' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, techno, retro, industrial, arcade, modular, tech styling, modular geometry, impactful display, industrial voice, square, angular, blocky, geometric, stencil-like.
A heavy, square-built sans with an overtly modular construction. Strokes terminate in flat, right-angled ends, and many curves are replaced by chamfers or squared corners, producing boxy counters and compact apertures. The design mixes wide and narrow letterforms, with capitals that feel tightly engineered and lowercase that remains angular and simplified; details like the single-story “a” and the squared bowls in letters such as “B”, “D”, “O”, and “P” reinforce the rectilinear theme. Numerals follow the same block logic, with crisp inner cutouts and an overall pixel-adjacent, hard-edged rhythm.
Best suited to display typography such as headlines, posters, branding marks, and packaging where a bold, technological aesthetic is desirable. It also fits interface-style applications—game UI, sci‑fi titles, and signage—where geometric, high-impact letterforms help establish a mechanical or futuristic mood.
The tone is utilitarian and digital-forward, evoking arcade graphics, sci‑fi interfaces, and industrial labeling. Its rigid geometry and sharp corners create a decisive, mechanical voice that reads as modernist but distinctly retro-tech.
The design intention appears to be a modular, engineered sans that prioritizes strong silhouette and a consistent square geometry over traditional curve-based proportions. It aims to deliver a distinctive techno/industrial flavor while remaining legible at larger sizes through clear, simplified counters and sturdy stroke structure.
Diagonal strokes (notably in A, K, V, W, X, Y) are handled with strong straight segments and occasional chamfered joins, keeping the forms coherent within the square system. Spacing appears designed for impactful display settings, where the dense silhouettes and angular counters remain visually consistent.