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Sans Superellipse Kymaj 5 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Bantat' by Jipatype, 'Radiate Sans' by Studio Sun, and 'Ansage' by Sudtipos (names referenced only for comparison).

Keywords: headlines, logotypes, posters, sports branding, packaging, sporty, futuristic, confident, energetic, playful, impact, speed, modernity, branding, display, rounded, oblique, soft corners, extended, geometric.


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A heavy, rounded sans with oblique construction and a distinctly extended stance. Letterforms are built from squarish, superellipse-like bowls and rounded-rectangle counters, giving curves a flattened, streamlined feel rather than purely circular geometry. Strokes stay uniform with crisp, cut terminals and frequent horizontal “slot” apertures (notably in forms like E, F, S, and numerals), creating a sleek, engineered rhythm. The x-height reads large, with compact ascenders/descenders and broad, stable capitals, producing dense, high-impact word shapes.

This font performs best in short, high-visibility settings such as headlines, posters, product marks, team or event branding, and packaging where its bold, aerodynamic shapes can read as a graphic element. It’s especially effective for tech-forward or sport-oriented themes and works well for punchy taglines and large-scale signage.

The overall tone is fast, assertive, and contemporary, with a techno-sport flavor. Its rounded corners keep it friendly and approachable, while the slanted, wide proportions and clipped details add momentum and a performance-oriented attitude. The result feels suited to modern branding that wants to signal speed, strength, and forward motion.

The design appears intended to deliver maximum impact with a streamlined, contemporary silhouette: wide, slanted forms for speed and presence, rounded-rectangle geometry for a modern industrial feel, and uniform stroke weight to maintain clarity in bold display use.

Spacing appears generous enough to keep counters open at display sizes, but the combination of width, slant, and dense weight creates a strong horizontal pull. Numerals match the letterforms’ rounded-rect geometry, and the punctuation/slots reinforce a consistent “machined” motif across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸