Sans Superellipse Ubgad 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bystone' by GraphTypika, 'Mercurial' by Grype, 'Enamela' by K-Type, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, playful, handmade, rugged, bold, retro, display impact, handmade texture, retro signage, compact set, tactile print, chunky, rounded, stencil-like, blunt, inked.
A compact, heavy sans with rounded-rectangle construction and softly squared counters. Strokes are thick and largely monolinear, but the outlines show deliberate irregularities—wobbly edges, uneven corners, and slightly inconsistent terminals—that create a stamped or hand-cut feel. The proportions are condensed with tight apertures; round letters (O, Q, 0) read as squarish superellipses, while diagonals (V, W, X) are broad and blunt. Lowercase forms are simplified and sturdy, with short ascenders/descenders and blocky joins that keep the texture dense in text.
Works best for short, high-impact settings such as posters, headlines, branding marks, packaging, and merchandise where the roughened edges and compact rhythm read as intentional texture. It can also add personality to labels or UI accents when used at larger sizes with generous spacing.
The overall tone is bold and characterful, mixing a friendly rounded geometry with a rough, analog edge. It suggests DIY printmaking, poster lettering, or rubber-stamp graphics—confident and a little mischievous rather than polished or corporate.
This design appears intended to reinterpret rounded-rectangle, superellipse-based sans forms with an intentionally imperfect, printed finish. The goal is strong legibility at display sizes while delivering a tactile, handmade texture that feels stamped, cut, or inked rather than digitally pristine.
In the sample text, the dense weight and narrow set create a dark typographic color, with small counters and tight internal spaces that become more pronounced at smaller sizes. The numerals are especially blocky and sign-like, and the punctuation follows the same chunky, irregular outline behavior.