Sans Superellipse Gymoj 7 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Mercurial' by Grype, and 'Futo Sans' by HB Font (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui titles, modern, tech, industrial, friendly, confident, clarity, impact, modernity, systematic, blocky, geometric, rounded corners, modular, high contrast (figure/gt.
A heavy, geometric sans with rounded-square (superellipse) bowls and consistently smooth, uniform stroke weight. Corners are broadly softened and curves resolve into flat-ish terminals, giving a compact, blocky silhouette without becoming fully rectangular. Counters are clean and fairly open for the weight, and the overall rhythm is steady and even, with a distinctly constructed, modular feel across letters and numerals.
Best suited to display and short-to-medium text where a bold, contemporary voice is needed: branding, packaging, posters, UI headlines, dashboards, and wayfinding or labels with limited space. It can also work for logotypes and product naming where a geometric, slightly "tech" texture is desirable. For long-form body copy, it will be most comfortable at larger sizes due to its strong weight and tight, blocky forms.
This typeface projects a confident, engineered tone with a friendly edge. Its rounded-rectangle construction reads contemporary and tech-forward, while the softened corners keep it approachable rather than aggressive. Overall it feels straightforward, sturdy, and suited to clear communication.
The design appears intended to combine strong presence with controlled geometry: a sturdy headline sans built from rounded-rect forms that stays legible and consistent across a wide set of characters. The softened corners and generous interior spaces suggest an aim to remain approachable and readable while maintaining a compact, engineered aesthetic.
The numerals and capitals carry the most distinctive superelliptical geometry, giving lines a crisp, squared-off rhythm even in rounded shapes. The lowercase keeps the same constructed logic, producing a cohesive, system-like texture across mixed-case settings.