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Free for Commercial Use

Sans Superellipse Gymak 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Block Capitals' by K-Type, 'Coupe' by T-26, and 'Egosta' by skillyas studio (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, techy, confident, sporty, industrial, friendly, impact, modernity, clarity, geometric system, rounded, blocky, square-shouldered, compact, high-contrast (shape).


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A very heavy, geometric sans with rounded-rectangle construction and smooth, consistently radiused corners. Strokes maintain an even thickness, with broad, compact counters that stay open despite the weight. Curves tend to resolve into squarish bowls (notably in C, G, O, S, and 0), while terminals are clean and flat, giving the forms a sturdy, modular feel. Lowercase shapes are simplified and sturdy, with single-storey a and g, a tall, plain t with a short crossbar, and a square dot on i/j; figures are similarly blocky with rounded interior apertures.

Best used for headlines, short statements, and branding where strong presence and immediate legibility are needed. It works especially well in tech-leaning identities, sports or fitness graphics, packaging callouts, and signage-style applications where a compact, rounded-block aesthetic reinforces impact.

The overall tone is modern and assertive, balancing a utilitarian, engineered look with soft corners that keep it approachable. It reads as energetic and contemporary—well suited to bold, punchy communication rather than subtle typographic nuance.

The font appears designed to deliver maximum visual weight and clarity through superelliptical, rounded-rectangle forms—prioritizing bold recognizability, a clean geometric system, and a contemporary, slightly industrial character.

The design emphasizes strong silhouette and uniform rhythm, producing clear word shapes at large sizes. The rounded-square geometry creates a distinctive texture in lines of text, with wide, flattened curves and minimally differentiated joins that feel intentionally schematic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
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15px
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13px
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11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸