Sans Superellipse Libi 3 is a regular weight, wide, monoline, upright, normal x-height, monospaced font visually similar to 'Arame' by DMTR.ORG (names referenced only for comparison).
Keywords: ui labels, signage, dashboards, packaging, posters, tech, retro, friendly, utilitarian, clean, modularity, clarity, ui utility, retro tech, rounded, squared, geometric, modular, soft-cornered.
This typeface is built from rounded-rectangle and superellipse-like strokes, producing squared counters and softly radiused corners throughout. Strokes stay visually even, with compact joins and consistently rounded terminals that keep edges from feeling sharp. The overall geometry is wide and boxy, with generous interior space in letters like O, D, and P, and a distinctly “squared-round” logic across both caps and lowercase. Numerals follow the same modular construction, yielding clear, stable silhouettes with minimal contrast and a steady rhythm in text.
It suits interface typography, product labeling, dashboards, and wayfinding where clear, repeatable shapes and a steady rhythm are desirable. The squared-round forms also make it a good fit for tech branding, retro-inspired posters, packaging, and any setting that benefits from a modular, engineered look without harsh corners.
The tone reads as modern and tech-forward with a clear retro computing undercurrent, like control-panel labeling or classic terminal UI. Rounded corners and open counters add approachability, preventing the rigid geometry from feeling cold. Overall it communicates clarity, order, and a mildly playful industrial character.
The design appears intended to translate a rounded-rectangular, modular geometry into a practical sans letterform system, balancing machine-like regularity with softened edges for comfort. Its consistent construction across letters and figures suggests an emphasis on predictable texture and strong silhouette recognition in continuous reading and labeling.
The design maintains a strong grid discipline: curves are treated as softened corners rather than true circular bowls, and diagonals (as in V/W/X/Y) are simplified to fit the same rounded, modular system. The result is highly consistent across the set, with a distinctive squared-round personality that stays recognizable in both display and paragraph settings.