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Free for Commercial Use

Sans Normal Jolap 13 is a very bold, normal width, medium contrast, italic, tall x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'Formata' and 'Formata W1G' by Berthold, 'FF Kievit' by FontFont, 'Niko' by Ludwig Type, 'Organic Pro' by Positype, 'Reba Samuels' by Samuelstype, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, energetic, punchy, assertive, playful, high impact, express motion, brand display, friendly strength, slanted, rounded, compact, soft terminals.


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A heavy, right-slanted sans with rounded construction and compact internal spaces. Strokes are thick and smooth with subtly tapered joins, producing a slightly calligraphic rhythm despite the overall geometric feel. Counters are small and the letterforms feel tightly packed, while the slant and broad curves keep the texture lively. The numerals are robust and rounded, matching the strong, continuous mass of the letters.

Best suited for short, prominent text such as headlines, posters, and large-scale signage where impact and motion are desirable. It can work well for sports and fitness branding, energetic campaigns, bold packaging, and logo or wordmark applications that need a strong, friendly punch.

The overall tone is dynamic and forceful, with a sporty, forward-moving feel. Its rounded shapes keep it friendly and approachable, while the dense weight and pronounced slant add urgency and attitude. It reads as modern and bold, suited to attention-grabbing, high-energy messaging.

Likely designed to deliver a high-impact, energetic voice in a compact, rounded sans form. The strong slant and dense weight suggest an intention to convey speed and confidence while keeping shapes smooth and approachable for branding-focused display use.

The uppercase and lowercase share a consistent, rounded silhouette with a noticeable rightward lean, creating a strong diagonal flow across words. Round letters like O and Q feel especially full, and the Q’s tail adds a distinctive hook that reinforces the kinetic look. The sample text shows a dark, cohesive typographic color that prioritizes impact over airy openness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸