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Free for Commercial Use

Distressed Ranib 2 is a very bold, very narrow, medium contrast, italic, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'FF Good' by FontFont, 'Cargi' by Studio Principle Type, and 'Polate' and 'Polate Soft' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, event flyers, apparel, gritty, retro, rowdy, hand-stamped, playful, vintage print, rugged impact, analog texture, headline punch, roughened, blotchy, inked, compressed, slanted.


Free for commercial use
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A compact, heavy display face with a consistent rightward slant and tightly packed proportions. Strokes are chunky and simplified, with rounded corners and a slightly swollen, inked feel that creates uneven edges and occasional interior speckling. Curves and bowls are broadly shaped while joins remain sturdy, giving the letters a poster-like mass and strong silhouette. The texture looks intentionally imperfect, as if printed with worn type or a distressed rubber stamp, producing subtle nicks and soft irregularities across the set.

Best suited for short, high-impact text such as posters, concert or festival promotion, bold headlines, packaging callouts, and merchandise graphics. It also works well for logos and labels that benefit from an intentionally worn, print-made texture, especially at medium-to-large sizes where the distress detail can be appreciated.

The overall tone is loud and energetic, mixing vintage grit with a casual, handmade attitude. Its distressed finish suggests analog printing, DIY signage, and a slightly rebellious, rock-and-roll edge while still reading as playful rather than ominous.

The design appears intended to emulate bold, condensed italic display lettering produced through imperfect analog processes—worn wood type, rough screen printing, or stamped ink. It prioritizes punch and texture over refinement, delivering an expressive, attention-grabbing voice for themed and retro-leaning visuals.

The distressed texture is consistent enough to feel designed rather than accidental, and it stays visible in both uppercase and lowercase. Numerals share the same dense, ink-pressed character, supporting cohesive headline and branding use where a rough, tactile look is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸