Sans Superellipse Ukran 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Jawbreak' and 'Outlast' by BoxTube Labs, 'King Wood' by Canada Type, 'Kolesom' by Frantic Disorder, 'Mexiland' by Grezline Studio, 'Gridiron Glory' by Hipfonts, 'Herchey' by Ilham Herry, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, retro, assertive, utilitarian, game-like, high impact, signage, rugged display, brand presence, retro flavor, blocky, squared, rounded corners, compact, stencil-like counters.
A heavy, block-constructed sans with squared proportions and softened corners, built from broad strokes and tight interior spaces. Curves resolve into rounded-rectangle forms, giving letters like O, C, and G a squarish, superelliptical feel. Terminals are mostly flat and abrupt, with occasional wedge-like shaping on diagonals and at joins that adds a rugged, cut-metal rhythm. Counters are small and often rectangular, producing strong color and high impact; punctuation and numerals follow the same compact, squared logic for a consistent, sign-ready texture.
Best suited to headlines, posters, and title treatments where strong mass and compact shapes are an asset. It can also work well for logos, product packaging, labels, and sports or event branding that benefits from a tough, engineered look. Short UI labels or game/arcade-style graphics are another natural fit, especially when set with slightly increased letterspacing.
The overall tone is bold and workmanlike, evoking industrial labeling, athletic/varsity energy, and vintage display typography. Its dense shapes and squared curves feel confident and slightly aggressive, with a playful arcade or poster sensibility when set large.
The design appears intended to deliver maximum impact through chunky, squared silhouettes and rounded-rectangle curves, balancing geometric consistency with subtle angular accents for character. It prioritizes bold presence and reproducible shapes that read like signage or stamped lettering in modern retro display contexts.
The font’s tight apertures and compact counters make it most effective at display sizes, where the geometric quirks and squared-round construction stay clear. In longer text or small sizes, the dense interiors can visually fill in, so added tracking and generous line spacing help maintain clarity.