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Sans Superellipse Jehi 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, sturdy, industrial, retro, confident, blunt, impact, compactness, ruggedness, blocky, squared, rounded corners, condensed caps, compact.


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A heavy, compact sans with broad strokes and softened corners that push many forms toward rounded-rectangle geometry. Curves are squarish and controlled, counters are tight, and terminals read as blunt cuts rather than tapered finishes. The uppercase is tall and space-efficient with slightly condensed proportions, while the lowercase stays compact with short extenders and sturdy joins. Overall spacing feels snug and dense, producing a strong, uniform color in text and punchy silhouettes in display sizes.

Best suited for headlines, posters, and signage where a dense, powerful texture is desirable. It also fits brand marks, packaging, and labels that need a sturdy, industrial voice, and it can work for short subheads or callouts where high contrast against the page is needed.

The font conveys a tough, workmanlike tone with a hint of retro signage. Its rounded-square construction feels pragmatic and engineered, reading assertive and direct rather than delicate or playful. The overall impression is confident and utilitarian, suited to bold statements and high-impact branding.

The design appears intended to deliver maximum impact through compact proportions and rounded-rectangle construction, balancing hardness and friendliness with softened corners. It prioritizes strong silhouettes and uniform stroke mass to stay legible and attention-grabbing in large sizes and bold settings.

Round letters like O/C/G lean toward superelliptical shapes, and several glyphs show distinctive squared bowls and apertures that emphasize a mechanical rhythm. Numerals are similarly chunky and compact, matching the uppercase weight and maintaining a consistent, poster-friendly presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸