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Free for Commercial Use

Sans Normal Ohnoy 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Grift' by 38-lineart, 'BR Segma' by Brink, 'Heavitas Neue' by Graphite, 'Cogenta Text' by SRS Type, 'Carmen Sans' by StudioJASO, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, playful, punchy, impact, approachability, clarity, brandability, rounded, geometric, soft-cornered, heavy, compact.


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A heavy, rounded sans with broad, confident strokes and minimal contrast. The drawing favors geometric construction—round counters and bowls, clean verticals, and flat, squared terminals—while keeping corners softly eased rather than sharp. Proportions feel sturdy and compact, with generous curves and relatively tight apertures that create a solid, poster-like color in text. Numerals and capitals share the same robust, simplified shaping, reinforcing a consistent, high-impact rhythm.

This font is a strong choice for headlines, display typography, branding marks, packaging, and short-form messaging where impact and quick recognition matter. It also fits wayfinding and signage applications that benefit from thick strokes and simple letterforms, particularly at medium to large sizes.

The overall tone is bold and approachable: energetic without feeling aggressive. Its rounded geometry gives it a contemporary, friendly voice that reads as straightforward, upbeat, and attention-seeking—well suited to messaging that wants to feel modern and accessible.

The design appears intended to deliver maximum visual presence with a friendly, geometric character. By combining thick strokes, rounded forms, and simplified terminals, it aims for contemporary clarity and brandable personality that holds up in bold, attention-driven layouts.

At larger sizes the dense shapes and tight openings create a strong silhouette and clear word blocks; in longer text, that same density can make the texture feel heavy, especially where letters with small apertures cluster. The design’s consistency across uppercase, lowercase, and figures supports cohesive branding and headline systems.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸