Sans Other Nofo 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Keepsmile' by Almarkha Type, 'Comic Jungle' by Blankids, 'Hero Sandwich Pro' by Comicraft, 'Knicknack' by Great Scott, 'Otter' by Hemphill Type, and 'Cuckoo Fat' by Very Good Fonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, kids media, playful, quirky, chunky, retro, cartoon, playful display, hand-cut look, friendly branding, high impact, rounded, blocky, soft corners, irregular, bouncy.
A heavy, blocky sans with rounded counters and softened corners, drawn with a deliberately uneven, hand-cut feel. Strokes are thick and largely monolinear, with subtle wobble and shifting angles that make individual letters look slightly tilted or squashed. Forms lean toward geometric simplicity (round O/C, stout stems, broad bowls), but edges are not perfectly straight, creating a lively rhythm in words. Apertures tend to be small, joins are tight, and spacing feels compact and punchy, especially in the lowercase.
Best suited for short display settings where maximum impact is needed: posters, headlines, branding marks, packaging, stickers, and social graphics. It also fits playful editorial titles or kids-oriented materials, where its bouncy texture and bold shapes can carry personality at large sizes.
The font reads as cheerful and mischievous, with a bold, cartoon-like presence that suggests cut-paper signage, playful packaging, and kid-friendly display typography. Its irregularity adds warmth and humor, keeping the tone informal and approachable rather than technical or corporate.
The design appears intended to deliver an energetic, humorous display voice through simplified, chunky letterforms and intentionally imperfect geometry. It prioritizes character and visual punch over neutrality, aiming to look hand-made and friendly while remaining a clean, serifless construction.
Uppercase letters are wide and emphatic, while the lowercase maintains the same chunky construction with notably small inner spaces (e.g., a/e/s). Numerals follow the same soft, heavy styling and feel well matched for attention-grabbing figures. The overall texture becomes dense in longer lines, emphasizing impact over delicate readability.