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Free for Commercial Use

Sans Faceted Asho 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Evanston Tavern' and 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, 'FTY Galactic VanGuardian' by The Fontry, and 'Breuer Text' by TypeTrust (names referenced only for comparison).

Keywords: headlines, posters, sports branding, team apparel, packaging, athletic, industrial, assertive, retro, mechanical, impact, branding, durability, geometric styling, signage, octagonal, blocky, angular, chamfered, compact.


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A compact, heavy sans with pronounced chamfered corners that turn curves into crisp, planar facets. Strokes are consistently thick with minimal contrast, and counters tend toward squared or octagonal shapes, giving letters a rugged, engineered silhouette. The overall rhythm is tight and dense, with sturdy verticals and broad, stable horizontals; diagonals (as in A, V, W, X) stay blunt and geometric rather than sharp or calligraphic. Numerals match the same cut-corner logic, producing a cohesive, signage-like set.

Best suited to short, high-impact text such as headlines, posters, sports branding, and identity marks where the blocky facets can read as a distinctive signature. It also fits packaging and labels that benefit from an industrial, cut-metal aesthetic. For longer passages, it performs most comfortably at larger sizes where the tight, angular counters remain clear.

The faceted geometry reads tough and no-nonsense, evoking sports lettering, stamped metal, and utilitarian labeling. Its bold, angular construction feels energetic and competitive while also carrying a slightly retro, arcade/scoreboard flavor.

The design appears aimed at delivering maximum presence through a uniform, chiseled geometry—translating traditional bold sans proportions into an octagonal, cut-corner system. The consistent faceting across letters and figures suggests an intention to create a durable, logo-friendly voice that feels athletic and utilitarian.

Uppercase forms are especially monolithic and emblem-like, while the lowercase retains the same squared-off terminals and simplified curves for consistency. The strong corners and compact apertures increase visual punch, favoring impact over delicacy in smaller, crowded settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸