Sans Faceted Asha 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Gainsborough' by Fenotype, 'Kolesom' by Frantic Disorder, 'Mexiland' by Grezline Studio, 'Flintstock' by Hustle Supply Co, and 'Herchey' by Ilham Herry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, athletic, industrial, sturdy, retro, assertive, impact, ruggedness, geometric edge, uniform style, blocky, faceted, angular, compact, high-impact.
A heavy, block-constructed display face built from straight strokes and clipped corners rather than curves. The forms are largely monolinear with planar facets that create octagonal counters and chamfered terminals, giving round letters like O/C/G a cut, mechanical silhouette. Uppercase proportions are broad and stable with a squared stance, while the lowercase keeps similarly chunky structure with short, sturdy ascenders/descenders and simple, slab-like joins. Spacing reads moderately tight in text, reinforcing a dense, poster-friendly texture and a strong, even typographic color.
Best suited to headlines, posters, and high-impact branding where a compact, sturdy texture is desirable. It also fits sports-themed graphics, team apparel-style typography, packaging fronts, and bold signage where quick recognition and a rugged presence matter more than extended-text comfort.
The overall tone is bold and no-nonsense, with a varsity/jersey edge tempered by an industrial, machine-cut feel. Its sharp facets and compact rhythm suggest toughness, utility, and a slightly retro sign-and-uniform character rather than refinement or softness.
The design appears intended to translate a classic block display spirit into a sharper, more geometric construction by replacing curves with clipped planes. Its consistent chamfering and dense rhythm aim to deliver maximum impact and a cohesive, emblematic look across letters and figures.
Numerals follow the same chamfered construction, producing clear, emblem-like figures with consistent corner cuts and sturdy interior shapes. In running text the faceting becomes a distinctive texture, so the face performs best when its angular construction is allowed to read at larger sizes.