Sans Normal Komug 19 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Delargo DT' by DTP Types, 'Aspira' by Durotype, 'Muller Next' by Fontfabric, 'FS Me' and 'FS Me Paneuropean' by Fontsmith, 'Whitney' by Hoefler & Co., 'Alergia Grotesk' by Machalski, and 'Adora Condensed PRO' by preussTYPE (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, dynamic, confident, modern, sporty, friendly, emphasis, speed, impact, modernity, clarity, slanted, compact, rounded, robust, clean.
A heavy, forward-slanted sans with rounded bowls and smooth, continuous curves. Strokes are consistently thick with minimal contrast, and terminals are clean and mostly squared-off, keeping the silhouettes crisp. Uppercase forms read solid and compact, while lowercase shows single-storey constructions and soft joins that maintain an even rhythm. Counters are fairly open for the weight, and overall spacing feels tight but controlled, giving lines a dense, energetic texture.
Best suited for attention-grabbing headlines, posters, and brand marks where a fast, energetic voice is desired. It works well for sports or lifestyle communication, packaging callouts, and promotional graphics where dense, bold lines help maintain presence. For longer text, it will be most comfortable at larger sizes with generous line spacing due to its weight and slant.
The pronounced slant and sturdy weight create a sense of motion and urgency, with a contemporary, punchy tone. Rounded curves keep it approachable rather than aggressive, balancing impact with friendliness. The overall feel suggests speed, emphasis, and bold voice without decorative complexity.
The design appears intended to deliver a high-impact italic sans for modern display use, combining strong mass with rounded geometry to stay readable and approachable. Its consistent slant and compact rhythm suggest a focus on momentum and emphasis in branding and editorial titling.
Numerals appear strong and straightforward with rounded forms that match the letters, and the italic angle is consistent across uppercase, lowercase, and figures. The design relies on broad shapes and clear silhouettes more than fine detail, which helps it hold together at larger sizes and in short bursts of text.