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Free for Commercial Use

Inverted Ehpa 1 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Champion Gothic' by Hoefler & Co., 'Beachwood' by Swell Type, and 'Bergam' by vuuuds (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, western, vintage, rugged, industrial, poster, impact, retro signage, rugged texture, compact display, stencil feel, stencil-like, condensed, slab, notched, inked.


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A condensed, heavy display face with squared, slab-like terminals and a predominantly vertical, upright structure. Many glyphs feature deliberate internal cut-outs and notches—often appearing as small wedges or counters carved into stems and bowls—which creates a hollowed, inverted look while keeping the overall silhouette dense. Curves are compact and tightened, with flattened joins and a largely rectilinear rhythm; counters tend to be narrow and sometimes pinched. Subtle distressed breaks and irregularities show up within strokes, adding a worn print texture that’s most noticeable in the sample text.

Best suited for large-scale display settings such as posters, headlines, storefront or event signage, and bold packaging where the internal cut-outs can be appreciated. It can also work for logo wordmarks that want a rugged, vintage flavor, but is less appropriate for long-form reading or small UI text due to its dense shapes and interior detailing.

The font conveys a bold, old-time poster attitude with a frontier-meets-factory toughness. Its cut-out detailing and condensed stance feel assertive and utilitarian, evoking stamped metal, woodtype, or stencil signage. The distressed texture adds a gritty, lived-in tone rather than a clean contemporary polish.

The design appears intended to deliver maximum impact in a condensed footprint while adding character through carved counters and worn-in texture. The hollowed, notched construction suggests a deliberate nod to stencil/woodtype traditions and bold printed ephemera, optimized for attention-grabbing display typography.

The hollowed details are integrated into the letterforms rather than applied as a uniform outline effect, so the interior carving varies by glyph. At text sizes the notches and distressing can visually merge, making it read best when given enough scale and spacing to let the internal cuts stay distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸