Font Hero

Free for Commercial Use

Solid Umsa 4 is a bold, narrow, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, album art, event flyers, edgy, hand-cut, punk, playful, poster-like, diy impact, graphic silhouette, rough texture, display voice, angular, faceted, jagged, chunky, irregular.


Free for commercial use
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A chunky, faceted display face built from hard-edged polygonal strokes and abrupt terminals. Many curves are reduced to angled segments, giving letters a hand-cut, stencil-like silhouette with collapsed counters and minimal interior openings. Proportions are compact with tight apertures, and the rhythm is intentionally uneven: diagonals vary in length, corners are clipped, and some strokes wobble slightly in width and alignment, producing a raw, cut-paper geometry. Numerals follow the same blocky, angular construction, staying highly graphic and silhouette-driven.

Best suited to short, high-impact settings such as posters, headlines, album art, and event flyers where a gritty, hand-made voice is desired. It can also work for logos and wordmarks that benefit from an angular, solid silhouette, but it’s less appropriate for long passages or small UI text due to its collapsed counters and dense texture.

The overall tone is rebellious and energetic, with a rough, DIY attitude that reads as street, punk, and zine-adjacent. Its solid, mask-like shapes and sharp facets also lend a slightly ominous, game-title or horror-poster edge while remaining playful in motion.

The design appears intended to translate the look of cut-out paper or carved signage into a bold, all-solid typographic system. By prioritizing silhouette, facets, and irregular rhythm over conventional readability, it aims to deliver an immediate, distinctive display presence with a deliberately rough finish.

Legibility is strongest at larger sizes where the distinctive silhouettes and cut angles have room to resolve; at smaller sizes, the closed-in interiors and compressed apertures can cause similar forms to merge. Uppercase tends to carry more iconic, emblematic shapes, while lowercase keeps the same angular language and compact spacing, preserving a consistent, highly graphic texture in text.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸