Sans Superellipse Ifla 7 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Formular' by Brownfox, 'Resist Sans' by Groteskly Yours, 'Alexer' and 'Alexer Pro' by NicolassFonts, and 'Genera' and 'Goldbill' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, sports graphics, sturdy, friendly, retro, playful, punchy, impact, approachability, logo shapes, display clarity, rounded corners, compact apertures, high contrast in texture, soft terminals, geometric.
A heavy, blocky sans with softened, superellipse-like curves and squared-off construction. Strokes are consistently thick with minimal modulation, producing an even, high-impact texture. Counters are compact and rounded-rectangular, while joins and corners are broadly radiused, giving letters like O, Q, and G a squarish-round silhouette. Proportions feel expansive and headline-oriented, with short extenders, sturdy verticals, and pragmatic, simplified detailing that keeps forms bold and legible at a distance.
Best suited for display settings where weight and presence are an advantage: headlines, posters, and large typographic statements. Its rounded, sturdy shapes also fit branding and packaging that want a friendly, robust feel, as well as sports or event graphics where quick recognition matters.
The overall tone is confident and approachable: industrial strength tempered by rounded corners and a buoyant, cartoon-adjacent warmth. It reads as energetic and modern-retro, with a sporty, poster-ready presence rather than a quiet, text-first voice.
The design appears intended to deliver maximum impact with a softened geometric voice—combining chunky, billboard-style massing with rounded corners to stay approachable. It prioritizes bold readability and a consistent, logo-friendly silhouette across the alphabet and numerals.
The lowercase shows a compact, single-story structure where applicable and maintains the same chunky rhythm as the caps; round letters remain squarish and controlled rather than fully circular. Numerals follow the same rounded-rectangle logic, reinforcing a cohesive, sign-like system across letters and figures.