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Free for Commercial Use

Sans Normal Lymov 3 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, 'Karibu' and 'Movida' by ROHH, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Sans Beam' by Stawix, and 'Nauman' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, punchy, modern, playful, attention, momentum, impact, bold branding, display clarity, oblique, rounded, chunky, compact, high-impact.


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A heavy, oblique sans with broad proportions and rounded, compact counters. Strokes are thick and consistent with gently curved terminals and softly squared corners, giving the shapes a smooth, molded feel rather than a sharp, engineered one. The overall rhythm is energetic and forward-leaning, with strong horizontals and simplified joins that keep silhouettes bold and legible at display sizes. Figures are sturdy and geometric, with wide bowls and clear, open interior spaces that prevent the weight from filling in.

Best suited for high-impact applications like headlines, poster typography, bold branding, and attention-grabbing packaging. It also fits sports and entertainment graphics where a forward, energetic voice is needed. In extended paragraphs it can feel visually dense, so it’s most effective in short bursts, large sizes, or as an accent family member.

The tone is loud and confident, with a kinetic, action-oriented slant that reads as sporty and promotional. Its rounded geometry adds a friendly, slightly playful edge, balancing the intensity of the weight with approachability. Overall it feels designed to grab attention quickly and hold it.

The design appears intended to deliver maximum visibility with a dynamic, forward motion, pairing heavy weight with rounded geometry to stay friendly while remaining forceful. It prioritizes strong silhouettes and quick recognition for display-led communication.

Uppercase forms read especially robust and headline-driven, while lowercase maintains a consistent, compact texture that becomes dense in long lines. The italic angle is noticeable but not extreme, contributing momentum without sacrificing clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸