Sans Superellipse Ognez 1 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Velvet' by Reserves, 'Amsi Grotesk' by Stawix, 'Alma Mater' and 'Oscar Bravo' by Studio K, 'Maqui' by Typodermic, 'Little Moon' by Umka Type, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, retro, friendly, punchy, playful, bold, impact, space-saving, approachability, graphic unity, rounded, chunky, soft corners, compact, condensed.
A compact, heavy sans with rounded-rectangle construction and softly squared curves. Strokes are consistently thick with minimal contrast, producing a dense, poster-like color on the page. Counters are small and often rectangular, and joins/terminals are smoothly rounded, giving the forms a molded, cushiony feel. The overall rhythm is tight and vertical, with simplified geometry that stays highly uniform across letters and numerals.
Best suited to headlines, posters, packaging, and branding where a strong, compact silhouette is useful and the rounded geometry can carry a retro, friendly voice. It also works well for short labels and signage at moderate to large sizes where its dense shapes and small counters remain clear.
The tone feels retro and approachable, combining a strong, attention-grabbing presence with softened edges that keep it friendly rather than aggressive. Its chunky, rounded shapes suggest mid-century display typography and convey a playful, upbeat personality suited to energetic headlines.
The font appears designed to deliver maximum impact in limited horizontal space while maintaining a soft, approachable character. Its consistent, rounded-rect geometry suggests an intention to create a cohesive display voice that feels modernized-retro and highly graphic.
The design favors closed apertures and compact internal spaces, so texture becomes more solid as sizes get smaller. The numerals match the letters in weight and geometry, reinforcing a cohesive, signage-like system. Distinctive rounded-rect counters and broad, simplified silhouettes make it read as a deliberate display style rather than a text face.