Sans Superellipse Nyjo 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Boldine' by Fateh.Lab, 'Neusa Neu' by Inhouse Type, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, retro, assertive, playful, sporty, impact, space saving, signage feel, brand stamp, rounded corners, compact, blocky, soft squared, high impact.
A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and uniform, with narrow apertures and tight interior counters that create a dense, poster-ready texture. Curves resolve into squarish bowls and terminals, giving letters like O, C, S, and G a superelliptical feel, while verticals dominate the rhythm for a strong, condensed silhouette. Numerals and punctuation follow the same blocky geometry, keeping the overall color very even in text and especially forceful at display sizes.
Best suited to display typography where impact and space economy matter: headlines, posters, labels, and wayfinding-style signage. It also fits branding systems that want a strong, condensed wordmark with a softened, approachable finish, and it holds up well in short UI labels when set large enough for the tight counters to remain open.
The tone is bold and no-nonsense with a distinctly retro-industrial flavor, like mid-century signage and athletic labeling. Rounded corners keep it from feeling harsh, adding a friendly, slightly playful edge even when set in all caps.
The likely intention is a high-impact display sans that combines condensed efficiency with rounded-square forms for a distinctive, repeatable visual signature. It aims to read as sturdy and modern while nodding to vintage signage and athletic graphics through its compact proportions and blocky, softened geometry.
The design favors compact counters and sturdy joins, which increases punch but can reduce clarity at small sizes or in long passages. Its consistent, softened-square logic makes it particularly effective for tightly spaced headlines and stacked compositions where shape repetition becomes part of the graphic style.