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Serif Other Embi 13 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Albra' by BumbumType, 'Agna' by DSType, 'Calibra' by Great Studio, and 'Ariata' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, book covers, editorial, theatrical, vintage, dramatic, quirky, display impact, carved effect, vintage flavor, graphic texture, headline emphasis, stencil-like, incised, high-waist, wedge serif, cut-in apertures.


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A decorative serif with chunky, sculpted letterforms and distinctive cut-in notches that read as stencil-like incisions through the strokes. Serifs are sharp and wedge-shaped, with triangular terminals and frequent internal “bites” at joins, counters, and diagonals that create a faceted, carved rhythm. Round letters (C, G, O, Q) show pronounced vertical stress and deep tapered cutouts, while diagonals (K, N, V, W, X) are interrupted by angular gaps that add sparkle and texture. The lowercase follows the same motif with compact bowls and brisk entry/exit cuts, producing a lively, patterned texture in text.

Best suited to display settings where the carved details can be appreciated: headlines, poster typography, brand marks, packaging, and book or album covers. It can also work for short editorial callouts or section titles where a dramatic, crafted texture is desirable.

The overall tone feels theatrical and editorial—like a classic display face that’s been chiseled, stenciled, or cut from paper for dramatic impact. Its sharp wedges and deliberate gaps give it a playful, slightly mysterious character that suits statement-making headlines more than quiet reading.

The design appears intended to reinterpret a traditional serif display structure through consistent incised cutouts and wedge terminals, creating a signature stencil-carved look. It prioritizes strong silhouette and decorative texture, aiming for memorable impact in large-scale typography.

Spacing and rhythm are strongly influenced by the repeated interior cutouts, which create bright highlights inside otherwise heavy shapes; this effect becomes a defining texture at larger sizes. Numerals share the same incised construction, with especially graphic shapes in 2, 3, 5, and 8.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸