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Serif Other Ekgi 5 is a very bold, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, book covers, dramatic, theatrical, vintage, mysterious, editorial, display impact, decorative texture, retro revival, brand distinctiveness, stencil-like, flared, high-impact, angular, sculpted.


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This is a display serif with heavy, sculpted letterforms and distinctive internal cut-ins that create a stencil-like, segmented silhouette. The strokes are predominantly thick with controlled contrast, and terminals often taper into sharp, triangular points or wedge-like serifs. Counters and joins show deliberate notches and slices, producing a rhythmic pattern of negative space that is consistent across caps, lowercase, and numerals. Overall spacing and proportions favor bold headline presence over continuous-text smoothness, with some glyphs exhibiting more pronounced angularity and asymmetry for character.

Best suited for large-scale typography such as headlines, posters, and editorial spreads where the internal cuts can remain crisp. It can work well for logotypes and branding needing a bold, distinctive serif voice, and for packaging or book covers that benefit from a dramatic, vintage-leaning display aesthetic.

The font conveys a dramatic, theatrical tone—simultaneously classic and unconventional. Its carved, mask-like openings and sharp wedges suggest vintage poster lettering and fashion/editorial styling, with a slightly mysterious, gothic-adjacent edge. The overall voice is assertive and stylized, designed to be noticed.

The design appears intended to reinterpret a traditional serif into a decorative display form by introducing consistent sliced apertures and wedge terminals. The goal is maximum visual impact and a recognizable texture in setting, prioritizing style, contrast of black/white shapes, and headline charisma over neutral readability.

The repeated diagonal cut shapes become a key texture in words, especially in rounded letters (C, G, O, Q, e, o) where the sliced counters read as intentional design accents. Numerals are equally emphatic, with strong curves and angled cuts that keep the set cohesive in display settings. At smaller sizes, the interior cuts may visually fill in, so the design reads best when given room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸