Sans Normal Uhluy 1 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Shelf' by 21Type, 'FF Sanuk' by FontFont, 'Mestiza Sans' by Lechuga Type, 'Linotype Aroma No. 2' by Linotype, and 'Niko' by Ludwig Type (names referenced only for comparison).
Keywords: ui text, editorial, brand systems, signage, headlines, friendly, contemporary, clean, approachable, workmanlike, versatility, readability, neutral branding, text clarity, modern utility, soft curves, humanist, open counters, large apertures, low modulation.
A clean sans with softly rounded curves and subtly tapered joins that keep the texture lively without becoming decorative. Bowls and counters are open and generous, while straight strokes end with crisp, square-like terminals for a grounded, practical feel. The uppercase is sturdy and straightforward, with broad curves in C/G/O and a balanced, readable construction across the set. Lowercase forms stay simple and familiar; the double-storey g and the gently rounded shoulders contribute to an even, readable rhythm in running text. Numerals are clear and sturdy, with simple shapes and consistent stroke color that hold up well at display sizes.
This face suits general-purpose typography where clarity and consistency matter: UI and product text, editorial layouts, and brand systems that need a neutral but approachable voice. Its open forms and steady rhythm also make it a solid option for signage and straightforward headlines that should read quickly.
The overall tone is modern and approachable, combining cleanliness with a slight human warmth from the softened curves. It feels dependable and editorial rather than futuristic, projecting clarity and calm confidence. The result is a neutral voice that can still feel friendly in headlines and interface copy.
The design appears intended as a versatile, everyday sans that balances neutrality with subtle warmth. It aims to stay unobtrusive in long text while maintaining enough character for headings and brand applications.
Stroke endings and curves show a modest, intentional shaping that helps prevent the design from feeling purely geometric. Spacing appears comfortable, creating an even gray value in paragraphs and a stable presence in all-caps settings.