Sans Other Added 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' by Fontfabric, 'Beefcakes' by Monotype, 'TT Norms Pro' by TypeType, and 'Bush!!' by sugargliderz (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, stickers, playful, quirky, friendly, bold, comic, attention grabbing, informal tone, handmade feel, youthful branding, expressive display, chunky, rounded, wonky, bouncy, compact.
A chunky, heavy sans with rounded corners and softly bulging curves that create a hand-cut, slightly off-kilter silhouette. Strokes stay broadly even, with compact counters and simplified joins that keep shapes dense and high-impact. Many glyphs show subtle irregularities in angles and curvature, giving the alphabet a lively, wobbling rhythm; diagonals and terminals often feel slightly skewed rather than strictly geometric. Overall spacing reads tight and poster-like, with sturdy letterforms designed to hold together at display sizes.
Best suited to display applications such as posters, headlines, short callouts, and packaging where bold color and personality are needed. It works well for playful branding, kids-oriented media, informal event graphics, and punchy social visuals. For extended text, it’s most effective in short bursts (titles, captions, emphasis) where its dense texture remains readable.
The font communicates a playful, mischievous energy—more cartoon and craft than corporate. Its bouncy irregularity and inflated shapes feel approachable and humorous, with a casual “handmade” personality that adds warmth and attitude. The tone is loud and extroverted, suited to messages meant to grab attention and feel fun rather than formal.
The design appears intended to deliver maximum impact with a friendly, handmade character—combining a solid, high-ink footprint with intentionally imperfect geometry. It prioritizes charm and immediacy over typographic neutrality, aiming to feel animated and approachable in expressive display settings.
Uppercase forms lean toward broad, blocky silhouettes, while lowercase keeps single-storey simplicity and emphasizes round bowls and short, stout extenders. Numerals are similarly chunky and expressive, matching the uneven, cut-paper feel. In longer setting, the strong black mass and quirky rhythm become a prominent texture, best used when the type itself is part of the visual voice.