Sans Normal Tyluh 7 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Proza' by Bureau Roffa, 'City Boys' and 'City Boys Soft' by Dharma Type, 'FS Blake' by Fontsmith, 'Epoca Classic' and 'Impara' by Hoftype, 'Rotulo' by Huy!Fonts, 'Big Vesta' by Linotype, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, retro, playful, punchy, approachable, impact, approachability, display clarity, brand presence, soft corners, rounded, chunky, compact counters, low apertures.
A heavy, rounded sans with broad proportions and compact interior counters. Strokes are consistently thick with subtly softened corners and gently curved terminals that keep the silhouette smooth rather than sharp. The lowercase shows a sturdy, almost “bubbly” construction with closed or narrow apertures in letters like a, e, and s, while the uppercase stays blocky and assertive with simple geometry. Overall rhythm is dense and dark, prioritizing strong shapes and uniform color over fine detail.
Best suited to display settings where impact and warmth are needed—headlines, branding marks, packaging, and promotional graphics. It can work for short text elements (labels, buttons, pull quotes) when a dense, attention-grabbing typographic color is desired.
The tone is bold and personable, with a slightly nostalgic, poster-like friendliness. Its rounded joins and stout forms read as welcoming and playful rather than technical or austere, making headlines feel energetic and confident.
The design appears intended to deliver maximum presence with a friendly, rounded voice—combining simple geometric construction with softened details to stay approachable at large sizes. It emphasizes bold silhouettes and consistent weight for strong recognition in branding and display typography.
Numerals are heavy and highly legible at display sizes, with rounded bowls and stable baselines. Diagonals (V/W/X/Y) are thick and compact, reinforcing the solid, condensed negative space and strong typographic “stamp” effect.