Sans Superellipse Untu 5 is a very bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, sports branding, techy, futuristic, sporty, industrial, playful, impact, modernity, tech feel, branding, signage, rounded corners, squared curves, extended, compact counters, blocky.
A heavy, extended sans with rounded-rectangle construction and consistently softened corners. Strokes are largely uniform, producing dense, dark letterforms with compact internal counters and a strong horizontal footprint. Curves resolve into squarish, superellipse-like bowls (notably in O, C, G, and 0), while terminals are clean and blunt, emphasizing a machined, modular feel. The lowercase follows the same geometric logic with single-storey a and g, and the numerals are similarly wide and blocky for uniform texture in display settings.
Best suited for headlines, posters, and branding where bold presence and a wide stance are desirable. It works well for tech and gaming identities, sports or streetwear graphics, packaging labels, and UI splash screens that need an assertive, geometric look. Use ample size and spacing when clarity is critical due to the compact counters.
The overall tone feels modern and engineered, with a confident, high-impact voice. Its rounded-square geometry reads as futuristic and tech-forward, while the weight and width add a sporty, poster-like energy. The friendly corner rounding keeps it from feeling harsh, lending a slightly playful, game-interface character.
The design appears intended to deliver maximum impact with a distinctive rounded-rect geometry, blending industrial clarity with a contemporary, tech-oriented aesthetic. Its consistent stroke weight and softened corners suggest a goal of strong signage-like presence while maintaining a friendly, modern edge.
At larger sizes the distinctive rounded-square bowls and tight counters create a recognizable silhouette, but the dense interior spaces can close up visually in smaller settings or on low-contrast backgrounds. The design’s strong horizontals and wide stance make it particularly effective in short phrases, where the chunky rhythm becomes a feature rather than a constraint.