Cursive Vija 2 is a regular weight, narrow, medium contrast, italic, very short x-height font.
Keywords: quotes, posters, packaging, branding, social media, casual, expressive, handmade, warm, playful, handwritten feel, brush realism, energetic tone, personal voice, informal display, brushy, calligraphic, slanted, textured, tapered.
A lively, brush-pen script with a consistent rightward slant and visibly tapered stroke endings that suggest pressure and lift. Forms are compact and slightly condensed, with a tight rhythm and occasional joins that feel more suggested than fully continuous, giving the writing a sketchy, spontaneous flow. Capitals are prominent and gestural, with long lead-in strokes and looped or flared terminals, while lowercase stays small and compact with narrow bowls and quick, angled cross-strokes. The stroke texture is organic and slightly uneven, adding a drawn character without breaking overall cohesion.
Works best for short to medium display text where a personal, handwritten feel is desired—quotes, headlines, labels, packaging accents, and branding or social media graphics. It can also serve as a secondary accent face paired with a simpler serif or sans for body copy, where its expressive strokes provide contrast.
The font conveys an informal, human voice—confident but relaxed—like quick signage or a personal note made with a brush marker. Its energetic slant and brisk joins create a sense of motion and immediacy, while the softened, tapered terminals keep the tone friendly and approachable.
Likely designed to mimic fast brush handwriting—capturing natural pressure changes, swift connections, and slightly condensed letterforms to keep words compact while still feeling expressive. The emphasis appears to be on personality and motion rather than formal calligraphic precision.
Ascenders and descenders are relatively long compared to the small lowercase body, which increases vertical movement and makes the line feel dynamic. Counters tend to be tight, and some letters simplify into brisk strokes rather than fully closed shapes, which emphasizes gesture over strict regularity.