Sans Normal Ekraf 7 is a very light, normal width, high contrast, italic, normal x-height font visually similar to 'Magnat' and 'Neue Magnat Standard' by René Bieder (names referenced only for comparison).
Keywords: headlines, editorial, fashion, branding, posters, elegant, airy, refined, contemporary, elegance, display, luxury, modernity, motion, hairline, calligraphic, slanted, graceful, delicate.
This typeface uses extremely slender, hairline strokes with pronounced contrast between thickened curves and razor-thin connections, giving letters a crisp, drawn quality. The construction is italic throughout, with a consistent forward slant and smooth, elliptical bowls. Terminals are clean and tapered rather than blunt, and many characters incorporate subtly extended entry/exit strokes that add momentum without becoming ornamental. Spacing appears relatively open for such a light design, and the overall rhythm feels fluid and continuous across uppercase, lowercase, and numerals.
Best suited for display sizes such as headlines, magazine/editorial titling, fashion or beauty branding, and elegant poster work where its hairline strokes can be preserved. It can also work for short pull quotes or packaging accents, but will be more sensitive to small sizes and low-contrast reproduction due to its very fine detailing.
The overall tone is poised and upscale, combining a modern, minimalist lightness with a hint of calligraphic sophistication. Its slanted, high-contrast forms read as graceful and stylish, suited to settings where delicacy and refinement are part of the message.
The design intention appears to be a sleek, contemporary italic for high-end communication, prioritizing elegance, motion, and contrast over utilitarian robustness. Its consistent slant, refined curves, and tapered terminals suggest a display-oriented voice meant to feel sophisticated and light on the page.
Uppercase forms feel spacious and sculptural, while the lowercase leans more handwritten in motion, especially in letters with long curves and gentle hooks. Numerals follow the same thin, high-contrast logic and appear particularly decorative in open shapes like 2, 3, and 8, which rely on fine joins and sweeping curves.