Sans Normal Okmay 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'FS Koopman' by Fontsmith, 'Reyhan' by Plantype, 'Identidad' by Punchform, 'Aratigo' by Sryga, and 'Eloquia' by Typekiln (names referenced only for comparison).
Keywords: ui text, headlines, branding, signage, packaging, modern, friendly, confident, clean, straightforward, clarity, modernity, approachability, brand utility, ui readability, geometric, rounded, even color, compact counters, wide apertures.
This typeface is a heavy, geometric sans with smooth, circular curves and largely uniform stroke weight. Uppercase forms are broad and stable, with rounded bowls (B, D, O) and simple, squared terminals (E, F, L, T) that keep edges crisp. Lowercase shapes follow the same constructed logic: the a is single-storey, the g is single-storey with a round bowl, and the overall letterforms show generous apertures and clean joins. Counters are relatively compact in letters like e and s, producing a dense, even typographic color at text sizes. Numerals are sturdy and straightforward, with round 0 and 8 and clear, open forms that match the alphabet’s geometry.
It performs well in UI labels, navigation, and dashboards where a strong, legible sans is needed. The weight and simplified geometry also suit headlines and short statements in posters, signage, and packaging, where the type can carry emphasis without decorative features. For branding, it works especially well for modern, product-focused identities that want a clear, friendly voice.
The overall tone is contemporary and approachable, balancing assertiveness with a friendly roundness. Its strong silhouettes and uncluttered detailing read as practical and direct, while the circular construction adds warmth and accessibility. The result feels at home in modern digital interfaces and brand systems that want clarity without appearing sterile.
The font appears designed to deliver a contemporary, geometric sans voice with strong presence and reliable readability. Its construction prioritizes consistent stroke behavior, simplified terminals, and round-derived forms to create a cohesive family feel suitable for both display and functional text.
The design maintains consistent curves and spacing across the set, creating a steady rhythm in running text. Diagonals (V, W, X, Y, K) are clean and decisive, and round letters remain highly regular, reinforcing the geometric, system-like character. Punctuation in the sample appears minimal and unobtrusive, keeping attention on the letterforms.