Sans Other Obba 10 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Mexiland' by Grezline Studio, 'Lobby Card JNL' by Jeff Levine, 'Evanston Tavern' by Kimmy Design, 'Volcano' by Match & Kerosene, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, packaging, industrial, techno, arcade, stencil-like, modular, impact, futuristic tone, industrial voice, retro gaming, graphic branding, angular, squared, blocky, notched, compressed caps.
A heavy, geometric sans built from squared, modular shapes with crisp right angles and a consistent stroke weight. Corners are largely hard-cut, with frequent notches, step-ins, and triangular cutaways that create a chiseled silhouette. Counters tend to be compact and rectangular, and many joins read as engineered rather than drawn, giving the alphabet a slightly mechanical rhythm. Lowercase forms follow the same modular construction, with simplified bowls and straight-sided stems that keep the texture dense and uniform in display sizes.
Best suited to headlines, posters, title cards, and bold branding where its angular construction can be appreciated. It also fits game interfaces, event graphics, and packaging that benefits from an industrial or arcade-leaning voice, especially when used with generous tracking and ample size.
The overall tone feels assertive and machine-made, evoking industrial labeling, retro arcade graphics, and techno branding. Its sharp cuts and blocky presence project energy and toughness, with a purposeful, utilitarian attitude rather than a friendly or neutral one.
The design appears intended to deliver maximum impact with a modular, engineered look, using strategic cutaways and stepped terminals to differentiate forms while maintaining a strict, geometric system. It prioritizes a strong graphic stamp and a techno-industrial personality over small-size text neutrality.
The distinctive notches and cut corners increase character recognition at large sizes, but also add visual noise that can reduce clarity when tightly spaced or used too small. The numerals share the same squared construction, supporting consistent headline and UI-style lockups where a rigid, digital feel is desired.