Sans Faceted Angi 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice and 'Panton Rust' by Fontfabric (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, sports branding, industrial, aggressive, futuristic, game-like, mechanical, impact, edginess, tech tone, signage feel, brand punch, angular, chiseled, geometric, blocky, faceted.
A heavy, geometric sans built from sharp, planar facets rather than smooth curves. Strokes are consistently thick with mostly straight segments and clipped corners, producing octagonal bowls and angular terminals across rounds like O, C, and G. Proportions are compact and sturdy, with squared counters and a slightly irregular, hand-cut rhythm that keeps letters distinct at display sizes. Numerals follow the same faceted construction, with an octagonal 0 and sharply notched forms throughout.
Best suited for short, high-impact text such as headlines, posters, logos, product branding, and packaging where the faceted shapes can read as intentional texture. It also fits entertainment and competitive contexts—team marks, event graphics, and game UI/title treatments—where a bold, mechanical presence is desirable.
The overall tone is tough and assertive, suggesting cut metal, carved signage, or sci‑fi machinery. Its jagged geometry reads energetic and confrontational, with a playful arcade or action-title edge when set in large sizes.
The design appears intended to translate a chiseled, industrial look into a clean sans framework, replacing curves with bevel-like facets to evoke hard materials and engineered forms. It prioritizes punch and silhouette character over quiet readability, aiming for strong recognition in display settings.
Diagonal joins and corner cuts are a defining motif, creating consistent “chamfered” silhouettes on both uppercase and lowercase. The typeface retains clear letter differentiation (notably in G, Q, R, and a single-storey a), but the dense weight and tight internal shapes can make long passages feel visually loud.