Sans Superellipse Okgiy 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Isotonic' by Emtype Foundry, 'Plexes Pro' by Monotype, 'PF Square Sans Condensed Pro' by Parachute, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: ui labels, headlines, wayfinding, posters, branding, modern, technical, friendly, confident, clean, clarity, modernity, systematic, approachability, rounded corners, squarish rounds, geometric, compact, sturdy.
A compact, geometric sans with squared-off, superelliptical curves and consistently rounded corners. Strokes are heavy and even, with minimal contrast and largely straight-sided construction that transitions into soft terminals. Counters tend to be rectangular-oval and fairly open for the weight, while joins and shoulders favor broad, controlled curves. The lowercase has simple, sturdy forms with single-storey shapes where applicable (notably the g), and punctuation-like details (dots on i/j) appear as small squared rounds that match the overall geometry.
Best suited to interfaces, product labeling, and navigation systems where strong shapes and consistent geometry help maintain clarity at small-to-medium sizes. It also works well for headlines, posters, and branding that want a contemporary, slightly industrial voice with friendly rounding.
The tone is contemporary and pragmatic, combining a machine-like precision with approachable softness from the rounded rectangle vocabulary. It reads as confident and utilitarian rather than expressive, with a mildly playful edge coming from its squarish curves and compact rhythm.
The design intent appears focused on delivering a robust, highly structured sans that feels engineered and systematic, while using softened corners to keep the tone accessible. The consistent superelliptical construction suggests an aim for strong repeatable shapes that hold up across display and functional typography.
The numerals follow the same rounded-rectangle logic, with a particularly squared, segmented feel in figures like 2 and 3 and a boxy, high-clarity 0. Uppercase forms maintain a uniform, sign-like presence, and the overall texture in paragraph settings is dense and stable, favoring strong silhouettes over delicate detail.