Sans Superellipse Abmed 9 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Bronkoh' by Brink, 'Neuron' and 'Neuron Angled' by Corradine Fonts, 'FS Joey' and 'FS Joey Paneuropean' by Fontsmith, 'Klint' by Linotype, and 'Aeroko' by Monotype (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, editorial, modern, clean, friendly, utilitarian, technical, clarity, approachability, system consistency, contemporary tone, efficiency, rounded, geometric, monoline, open apertures, flat terminals.
A crisp geometric sans with rounded-rectangle (superellipse) construction throughout. Strokes are largely monoline with minimal modulation, and corners are softened rather than sharply squared, giving counters a smooth, rectangular feel. Proportions are compact and efficient with a notably tall x-height and short extenders; bowls and rounds stay wide and stable, while diagonals (like V/W/X) keep a controlled, engineered rhythm. Terminals are predominantly flat, and spacing appears even, producing a solid, highly legible texture in paragraph settings.
Works well for UI and app typography, dashboards, and product labeling where clarity and consistent rhythm matter. The tall x-height and open forms also suit wayfinding, packaging, and modern brand systems, and it holds up in editorial subheads and short-to-medium body copy where a clean, contemporary texture is desired.
The overall tone is modern and straightforward, balancing a friendly softness from the rounded geometry with a practical, no-nonsense voice. It feels contemporary and system-like, suited to interfaces and information design while still approachable for general communication.
The design appears intended to deliver a highly functional geometric sans with softened, rounded-rectangle forms for a more approachable, contemporary feel. It prioritizes legibility, even color, and a cohesive shape system that stays consistent across letters and numerals.
Round letters like O/Q and the numerals lean toward squarish curves, reinforcing the superellipse theme. The lowercase shows single-storey shapes (notably a and g), which adds informality and clarity at small sizes, and the numerals read cleanly with simple, sturdy forms.