Sans Superellipse Wofa 5 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, branding, logotypes, posters, gaming ui, futuristic, techno, industrial, sporty, retro, impact, modernism, sci-fi feel, systematic geometry, brand presence, squared-round, modular, boxy, compact apertures, rounded corners.
A heavy, geometric sans built from rounded-rectangle (superelliptical) shapes with broad, even strokes and softened corners. Curves tend to flatten into straight segments, creating boxy bowls and counters (notably in O, o, 8, and 0) and generally tight apertures. Terminals are blunt and consistently rounded, and several forms use carved notches and horizontal cut-ins that emphasize a modular, engineered feel. Lowercase shows single-storey a and g with compact counters, while numerals echo the same rounded-rect geometry for a uniform, blocklike texture.
Best suited to headlines, titles, branding marks, and short display text where its sculpted counters and squared-round geometry can be appreciated. It also fits gaming, tech, and sports-adjacent interfaces or packaging that benefits from a compact, high-impact voice. For long-form body copy or small sizes, its tight apertures and dense texture may need generous spacing and careful size selection.
The overall tone is futuristic and machine-made, evoking sci‑fi interfaces and industrial labeling. Its squared-round construction and dense blackness read assertive and energetic, with a slight retro arcade/techno flavor. The sharp, engineered cut-ins add a purposeful, performance-oriented character.
The font appears designed to deliver a strong, modern display voice using superelliptical construction and consistent rounded terminals. The notches and horizontal cut-ins suggest an intention to reference digital/industrial forms while keeping contours smooth and cohesive across uppercase, lowercase, and figures.
The design relies on distinctive internal shaping—small counters, horizontal slots, and notched joins—which creates strong personality but can reduce openness in smaller sizes. In lines of text the rhythm is tight and graphic, producing a bold, poster-like color rather than a neutral reading texture.