Sans Other Reloj 11 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'EF Gigant' by Elsner+Flake (names referenced only for comparison).
Keywords: headlines, posters, logotypes, signage, packaging, industrial, retro, modular, techy, authoritative, compact impact, geometric styling, industrial tone, retro-tech feel, condensed, geometric, rectilinear, squared, monolinear.
A condensed, rectilinear sans with a monoline feel and strongly squared counters. Strokes terminate in crisp, right-angled cuts, producing a modular, built-from-blocks silhouette across both uppercase and lowercase. Curves are minimized into squared bowls and corners, with tight apertures and compact interior spaces that create a dense, uniform texture in text. The lowercase follows the same architectural logic, with simple, vertical structures and squared joins that keep rhythm consistent; numerals match the same narrow, column-like proportions.
Best suited to headlines and short display copy where its squared, modular construction can be appreciated. It can work well for branding and logotypes that want an engineered, industrial feel, and for signage or packaging where compact width helps fit more characters into limited space.
The overall tone is industrial and retro-technical, with a disciplined, engineered voice. Its blocky geometry and compact spacing evoke utilitarian signage, early digital or arcade-era styling, and a no-nonsense, mechanical confidence.
The font appears designed to deliver a compact, high-impact sans built around strict rectangular geometry. Its purpose seems to be creating a distinctive, constructed look that communicates a technical or industrial mood while remaining straightforward and consistent across letters and numerals.
The design’s squarish counters and tight openings make it visually striking at display sizes, while the uniform stroke behavior and tall lowercase presence help maintain steady horizontal rhythm. The texture can become heavy in long lines due to the condensed width and dense black shapes, which reads more like a constructed pattern than a neutral text face.