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Serif Normal Nybuj 6 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Acreva' by Andfonts, 'ITC Cheltenham' by ITC, 'Ysobel' by Monotype, 'Cheltenham Pro' by SoftMaker, 'Criterion' by URW Type Foundry, and 'Cheltenham' by Wooden Type Fonts (names referenced only for comparison).

Keywords: headlines, editorial, book covers, print branding, posters, classic, formal, bookish, authoritative, editorial voice, heritage tone, display emphasis, strong text color, bracketed serifs, flared terminals, tight apertures, ball terminals, robust joins.


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A sturdy serif with pronounced thick–thin modulation and bracketed serifs that taper into sharp, slightly flared terminals. The overall proportions are moderately condensed with compact counters and relatively tight apertures, giving the letterforms a dense, ink-ready texture. Curves are smooth and weighty, while joins and serifs stay crisp, producing a strong vertical rhythm; the italic is not shown, and the roman maintains consistent, traditional construction across caps, lowercase, and figures.

This design suits headlines and editorial display where a dense, traditional serif voice is desired, such as magazine features, book covers, and institutional or heritage branding. Its compact counters and strong contrast help it hold visual authority in posters and title treatments, especially in print contexts where a darker typographic color is beneficial.

The tone is classic and institutional, with an editorial seriousness that reads as confident and established. Its strong contrast and tight internal space add drama and authority, evoking traditional book typography and legacy publishing aesthetics.

The font appears intended as a conventional, publication-oriented serif with heightened contrast and a compact rhythm, aiming to deliver a confident, classic voice for display and prominent text. The design prioritizes strong vertical structure, crisp serifs, and a cohesive old-style-to-transitional feel that supports authoritative typography.

Uppercase forms present a stately presence with wide top serifs and controlled curvature, while the lowercase shows sturdy bowls and a two-storey construction where expected, supporting continuous reading. Numerals appear lining with firm vertical stress and clear, traditional shapes that match the text color of the letters. Overall spacing in the sample suggests a compact, efficient fit that builds a dark, even paragraph color at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸