Sans Superellipse Uhvu 5 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Tactic Sans' by Miller Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, logotypes, gaming ui, futuristic, tech, industrial, sporty, arcade, impact, modernity, interface, signal clarity, squared, rounded, blocky, compact, geometric.
A chunky geometric sans built from squared, superelliptical forms with generously rounded corners and a heavy, even stroke. Counters tend toward rounded-rectangle shapes (notably in O, D, P, and 0), while joins and terminals are largely straight-cut with occasional angled treatments on diagonals (A, V, W, X, Y, Z). The lowercase echoes the same modular construction, producing compact bowls and minimal apertures; overall spacing reads tight and dense, emphasizing mass and continuity in text. Numerals follow the same squared geometry, with the 0 as a rounded rectangle and other figures relying on flat horizontals and blunt curves.
Best suited for headlines, wordmarks, packaging, and promotional graphics where a bold, tech-forward presence is needed. It also fits interface labels, esports or automotive-style branding, and display typography in gaming and sci‑fi themed materials.
The overall tone feels engineered and synthetic—closer to sci‑fi interfaces and industrial labeling than to conversational editorial text. Its squared rounding and dense rhythm project strength and speed, giving it a competitive, game-like energy that reads as modern and utilitarian.
The design appears intended to deliver maximum impact through a modular rounded-rectangle system: sturdy, compact letterforms that stay consistent across caps, lowercase, and numerals while evoking a contemporary, machine-made aesthetic.
Distinctive details include a squared, boxed feel to rounded letters, a compact lowercase with simplified forms, and diagonal-driven shapes that add a sharp, mechanical edge against the otherwise rounded construction. At smaller sizes the tight apertures and heavy mass may favor short bursts of text over long paragraphs.