Sans Superellipse Uhja 12 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming ui, sports branding, techy, futuristic, industrial, sporty, arcade, impact, tech branding, modular geometry, display utility, squared, rounded corners, stencil-like, inline gaps, boxy counters.
A heavy, box-driven sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and largely uniform, creating compact counters and a strong, poster-like color. Many glyphs use small cut-ins and internal breaks (notably in E, S, 2, 3, 5, 6, 8, 9), giving a semi-stencil/inline feel while keeping overall forms rigid and geometric. Curves are minimized in favor of superellipse-like bowls and squared apertures; diagonals (V, W, X, Y) are sturdy and angular, and the lowercase maintains simplified, architectural shapes with a single-storey a and a tight, squared e.
Best suited to headlines, titles, logos, packaging, and on-screen UI where a bold, geometric voice is desired. It performs well in short bursts—team marks, product names, tech or gaming graphics—where its cut-in details and compact counters can be appreciated. For long reading, the dense interior space and display-oriented construction may feel heavy, but it excels in branding and impactful typography.
The tone is assertive and synthetic, evoking sci‑fi interfaces, arcade titles, and engineered branding. Its blocky rhythm and deliberate notches feel technical and performance-oriented rather than neutral or literary. Overall it reads as modern, gadget-like, and attention-grabbing, with a hint of retro-futurism.
The design appears intended as a high-impact geometric display face built from rounded rectangles, with deliberate internal breaks to add character and a technical, segmented flavor. The goal seems to be strong recognition and a futuristic, engineered personality while maintaining consistent, modular letterforms.
The numerals are especially distinctive, with segmented breaks that reinforce a display aesthetic and improve character differentiation at larger sizes. Counters tend to be squarish and inset, and terminals often end in straight, blunt cuts, producing a clean, machined texture across words.