Sans Faceted Ryri 1 is a very bold, wide, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logos, album art, game titles, punk, action, gothic, high impact, edgy display, dynamic emphasis, angular, jagged, faceted, chiseled, chunky.
A heavy, angular display face built from sharp planar facets that replace curves with beveled, polygonal segments. Strokes are thick and largely uniform, with abrupt corners and occasional triangular notches that create a cut-metal silhouette. The letters lean forward with a dynamic slant, and spacing feels intentionally irregular, producing a lively, hand-cut rhythm. Counters are small and often multi-sided, and joins are crisp rather than rounded, keeping the texture dense and high-impact in both caps and lowercase.
Best suited to short, bold applications such as posters, headlines, event graphics, and logo-like wordmarks where the angular texture can carry the composition. It also works well for album/merch graphics and game or film titling that benefits from a loud, stylized voice. For paragraphs or small UI text it will read crowded and busy, but it excels when given room and scale.
The overall tone is aggressive and energetic, with a rough-edged, rebellious attitude. Its faceted construction and forward slant give it a sense of speed and tension, reading as loud and confrontational rather than refined. The texture evokes poster-driven subcultures and dramatic genre titling where impact matters more than calm legibility.
The design appears intended as a high-impact display face that translates a carved, faceted aesthetic into a compact, energetic typographic texture. By prioritizing sharp planes, dense stroke weight, and a forward-leaning stance, it aims to deliver immediate attitude and motion in branding and titling contexts.
Uppercase forms are especially blocky and emblem-like, while the lowercase retains the same faceted logic with compact bowls and sharp terminals. Numerals match the alphabet’s cut, polygonal language, maintaining a consistent, rugged color across mixed text. In longer lines the jagged edges create strong visual noise, so size and spacing become important for clarity.