Sans Superellipse Pymul 9 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Bebas Neue Pro' by Dharma Type, 'FF Good' by FontFont, 'Neusa Neu' by Inhouse Type, and 'Solido Condensed' by Monotype (names referenced only for comparison).
Keywords: interface, signage, packaging, headlines, labels, modern, utilitarian, technical, condensed, clean, space saving, clarity, systematic, information design, monoline, rounded corners, squared curves, compact, high legibility.
This typeface is a compact, monoline sans with a tall, economical stance and rounded-rectangle geometry throughout. Curves resolve into softly squared bowls and corners, giving round letters a superelliptical feel rather than circular forms. Strokes stay even and crisp, with straightforward terminals and minimal modulation. The overall rhythm is tight and vertical, producing clean, well-contained counters and a consistently narrow footprint across both capitals and lowercase.
It works well where space is limited but clarity is required, such as UI elements, navigation and wayfinding, labels, and packaging information. The condensed proportions also make it effective for headlines and subheads that need impact without excessive width. In extended text, it can provide a neat, structured color when line length is controlled.
The tone is modern and practical, with a mildly industrial, signage-like clarity. Its condensed build and squared-round shapes read as efficient and functional, leaning more toward technical communication than expressive warmth. The result feels orderly and confident, suited to information-forward design.
The design appears intended to deliver a space-saving sans with high clarity and a distinctive squared-round construction. By keeping strokes even and forms tightly drawn, it prioritizes efficient layout and consistent readability while maintaining a subtly geometric character.
Uppercase shapes are particularly tall and compact, and the numerals follow the same squared-round logic, helping mixed-case and alphanumeric settings feel cohesive. The sample text shows stable texture in long lines, with clear differentiation between similarly shaped characters aided by the font’s tight, vertical proportions.