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Free for Commercial Use

Sans Superellipse Maroh 8 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to '403 Quzie' by 403TF, 'Bamboly Pixel' and 'Bamboly Rounded' by Craft Supply Co, 'Mowray' by Graha Type, 'Aenos' by Product Type, 'Dohrma' by The Northern Block, 'Brodaers' by Trustha, and 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, sports graphics, retro, playful, punchy, friendly, sporty, impact, approachability, motion, retro flavor, display focus, rounded, soft corners, compact counters, heavy terminals, bouncy rhythm.


Free for commercial use
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This typeface uses heavy, rounded forms with softly squared curves and consistently blunted terminals. The italic slant and subtly uneven stroke rhythm create a forward-leaning, energetic texture, while counters stay relatively tight and enclosed in letters like a, e, and g. Curves are drawn as superellipse-like shapes rather than perfect circles, giving bowls and arches a plump, cushiony feel. Overall spacing reads compact and dense, producing strong word shapes and a solid, poster-ready color on the page.

Best used for short, bold statements where the dense weight and rounded construction can read clearly: headlines, posters, logos, packaging callouts, and sports or entertainment graphics. It can also work for social media tiles and promotional banners where a friendly, high-impact italic display style is desired.

The tone is upbeat and retro-leaning, with a confident, athletic warmth. Its rounded heft feels inviting rather than aggressive, and the slant adds motion that suggests speed, fun, and informal emphasis. The result is a display voice that feels lively and approachable, suited to attention-grabbing headlines.

The design appears intended to deliver maximum impact with a soft, rounded silhouette—combining a retro display sensibility with an energetic italic stance. Its geometry prioritizes strong presence and cohesive word shapes over fine detail, aiming for quick recognition and a memorable, branded feel.

Distinctive narrow apertures and chunky joins give the letterforms a slightly compressed, rubber-stamp presence at larger sizes. The numerals and capitals maintain the same soft-rectangular geometry, keeping a cohesive, branded look across alphanumerics.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸