Sans Superellipse Efniv 12 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: ui design, branding, headlines, signage, sports graphics, futuristic, technical, sleek, sporty, digital, modernization, technical clarity, motion, system coherence, superelliptical, rounded corners, chamfered, monoline, oblique rhythm.
A monoline, oblique sans built from rounded-rectangle geometry, with softened corners and occasional chamfer-like cuts that keep curves feeling engineered rather than organic. Strokes maintain an even weight and a smooth, continuous rhythm, while counters and bowls tend toward squarish superellipse forms. Terminals are generally clean and open, producing crisp silhouettes and clear interior space, and the overall spacing reads steady and modern in both uppercase and lowercase. Numerals follow the same rounded-rect logic, giving the set a unified, systemlike texture.
This face suits interface typography, dashboards, and product touchpoints where a clean, modern voice is needed without sharp, aggressive corners. It also works well for headlines, logotypes, and signage that benefit from a futuristic, engineered personality, and for sports or tech marketing where forward-leaning motion and clarity are desirable.
The font conveys a contemporary, tech-forward tone with a streamlined, aerodynamic slant. Its rounded-square construction feels instrument-like and controlled, suggesting digital interfaces, transportation, or product engineering rather than editorial warmth. Overall it reads confident, efficient, and slightly futuristic.
The design appears intended to merge a friendly rounded-corner approach with a precise, technical construction, creating a contemporary sans that feels fast and purposeful. Its consistent superellipse logic suggests an emphasis on visual system coherence across letters and numerals for modern display and on-screen contexts.
Diagonal strokes and joins emphasize forward motion, and the rounded-square bowls create a distinctive, cohesive texture across lines of text. The lowercase maintains a simple, utilitarian feel, while the uppercase looks especially suited to compact, high-impact settings thanks to its clean geometry and consistent curvature.