Sans Superellipse Efmuz 2 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: technology branding, sports branding, ui display, headlines, packaging, futuristic, technical, sleek, dynamic, sporty, modernization, speed, precision, systematic geometry, branding focus, rounded corners, superelliptic, oblique stress, linear, streamlined.
This typeface is a slanted sans with a smooth, superelliptic construction: curves resolve into rounded-rectangle forms and corners are consistently softened rather than fully circular. Strokes are clean and even, with a largely monolinear feel and a slightly extended, forward-leaning rhythm. The lowercase shows compact, efficient shapes with a tall body, while counters tend toward squarish ovals, reinforcing a modern, engineered geometry. Numerals and capitals follow the same rounded-corner logic, producing a cohesive, tightly controlled silhouette across the set.
It suits technology and automotive or sports-adjacent branding where a streamlined, performance aesthetic is desirable. It can work well for UI titles, dashboards, and interface labels that benefit from a technical tone, as well as for headlines and short blocks of copy in advertising or packaging where the slanted, geometric forms provide energy and emphasis.
The overall tone is contemporary and speed-oriented, suggesting motion and precision. Its rounded-rectangle forms read as tech-forward and manufactured, while the slant adds a sense of urgency and performance.
The font appears designed to merge clean sans-serif legibility with a distinctive superelliptic, rounded-rectangle skeleton. The aim is to project modernity and precision while leveraging an oblique stance for a fast, forward-moving impression.
The design maintains consistent curvature and terminal treatment across letters and figures, which helps it feel systematized and “drawn from the same parts.” The italic angle is noticeable in both text and isolated glyphs, and the generous internal space in many letters supports clarity despite the stylized geometry.