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Stencil Kiba 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Afical' by Formatype Foundry, 'Neue Haas Grotesk Display' by Linotype, 'Europa Grotesk SB' and 'Europa Grotesk SH' by Scangraphic Digital Type Collection, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, commanding, mechanical, retro, stencil marking, display impact, industrial tone, thematic branding, geometric, blocky, hard-edged, cut-in, high-impact.


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A heavy, geometric stencil with broad, squared proportions and assertive, simplified letterforms. Stencil breaks are consistently placed as vertical or horizontal cut-ins that create clear bridges through counters and along key strokes, producing a modular, engineered rhythm. Curves are largely circular and sturdy (notably in C, O, Q, and numerals), while diagonals are sharp and clean in forms like A, K, V, W, X, and Z. Terminals are blunt, edges read crisp, and spacing feels built for bold display rather than delicate text rendering.

Best suited to high-impact display work such as posters, headlines, wayfinding, packaging, labels, and product or crate-style markings where the stencil texture is part of the identity. It also works well for short UI callouts or section headers when an industrial voice is desired, but it will be most effective in larger sizes where the internal bridges remain clear.

The tone is industrial and directive, evoking signage, equipment marking, and military or logistics labeling. Its chunky silhouettes and systematic stencil gaps give it a no-nonsense, functional energy with a slightly retro, factory-made character.

The design appears intended to deliver a robust stencil aesthetic with clean geometry and consistent bridges, prioritizing instant recognition and a rugged, manufactured feel. It aims to provide a strong visual stamp for thematic typography that suggests marking, fabrication, and functional signage.

The stencil joins are prominent enough to remain legible at a glance and create a distinctive texture across lines of text, especially in repeated round forms. Numerals and capitals carry strong, poster-like presence, while the lowercase keeps the same cut-through logic for a unified, branded look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸