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Free for Commercial Use

Stencil Kime 9 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Nicky Sans' by Digitype Studio, 'Madera' by Monotype, and 'Gravita' by TipoType (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, industrial, tactical, mechanical, authoritative, utilitarian, stencil marking, impact display, industrial labeling, thematic tone, geometric, modular, high-contrast, blocky, all-caps feel.


Free for commercial use
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A heavy, geometric display face built from stout, even strokes and crisp corners, with frequent stencil-style breaks that create clear bridges through bowls and stems. Counters tend to be round or near-round in letters like C/O/Q, while many joins and terminals are squared, producing a modular, engineered silhouette. The texture is strongly rhythmic and high-impact, with compact apertures and deliberate cut-ins that keep forms legible while emphasizing a segmented, constructed look. Numerals follow the same logic, using bold massing and consistent internal breaks for a cohesive set.

Best suited to short, bold applications such as posters, headlines, branding marks, packaging, and wayfinding or industrial-style signage where the segmented construction can be appreciated. It also works well for thematic graphics—props, UI labels, or title cards—when you want a rugged, engineered presence.

The overall tone reads industrial and mission-oriented—like labeling, equipment markings, or engineered signage. The stencil interruptions add a sense of rugged practicality and controlled aggression, giving the font a tactical, utilitarian voice that feels designed for impact rather than subtlety.

The design appears intended to blend sturdy geometric letterforms with functional stencil breaks, delivering a practical, mark-making aesthetic that stays readable while feeling manufactured and tough. Its consistent cut pattern suggests a focus on creating a distinctive display texture for thematic communication.

The stencil bridges are used consistently across the alphabet and figures, often centered through rounded counters and occasionally as angled notches in diagonals, creating a distinctive “cut” motif. In longer text, the dense weight and repeated breaks generate a strong patterning, making it most effective when given generous size and breathing room.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸