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Free for Commercial Use

Serif Normal Onna 15 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Canastra' by Ivan Rosenberg, 'Ltt Recoleta' and 'Recoleta' by Latinotype, 'Ysobel' by Monotype, 'Pink Sunset' by Shakira Studio, and 'Hotdog Italian' by Timelesstype Studio (names referenced only for comparison).

Keywords: headlines, editorial, book covers, posters, branding, vintage, authoritative, traditional, literary, impactful text, classic tone, warm authority, display emphasis, bracketed, ball terminals, teardrop terminals, softened, robust.


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A very heavy serif with pronounced contrast between thick stems and hairline connections, set on a steady upright axis. Serifs are strongly bracketed and slightly flared, with rounded joins that soften the mass and keep counters open at display sizes. Terminals often finish in ball/teardrop shapes (notably in forms like a, f, j), giving the design a distinctive, slightly ornamental punctuation to the otherwise conventional text-serifs skeleton. The rhythm is compact and sturdy, with wide, confident capitals and a lowercase that reads clearly despite the weight, supported by generous interior counters and clear differentiation in figures.

This font is best suited to headlines, subheads, and short editorial passages where its weight, contrast, and bracketed serifs can deliver impact without losing structure. It can work well for book and magazine covers, posters, and brand wordmarks that want a traditional, print-forward character, especially at medium to large sizes.

The overall tone feels classic and editorial—bold, serious, and established—while the rounded terminals add a touch of old-style charm. It suggests print heritage and a confident voice suited to headlines that want to feel trustworthy rather than flashy.

The design appears intended as a bold, conventional serif for impactful reading and display contexts, pairing traditional letterforms with expressive ball/teardrop terminals to add personality. It aims to balance authority and warmth, producing a strong typographic voice that still feels rooted in classic serif practice.

In sample text, the heavy weight and high contrast produce strong word shapes and crisp line texture, with particularly prominent serifs and curves in letters like S, G, and Q. Numerals appear robust and traditional, matching the capitals’ presence for settings where numbers must hold their own in display typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸