Print Itnil 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Amberly' by DearType, 'Grupi Sans' by Dikas Studio, 'Chortler' by FansyType, 'Syrup' by Fenotype, 'Otter' by Hemphill Type, 'Organetto' by Latinotype, 'Kurri Island' by Mans Greback, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).
Keywords: kids branding, posters, packaging, headlines, stickers, playful, friendly, bubbly, casual, kidlike, approachability, playfulness, informality, display impact, handmade feel, rounded, chunky, soft, hand-drawn, quirky.
A chunky, rounded print face with heavy, monoline-like strokes and softly blunted terminals. Letterforms are simplified and bulbous, with gentle curves, slightly uneven contours, and an overall hand-drawn regularity rather than geometric precision. Counters tend to be small and rounded, joins are smooth, and proportions vary subtly from glyph to glyph, contributing to an organic rhythm in text. Numerals match the same inflated, softened construction for a cohesive, cartoon-like texture.
Well-suited for children’s materials, playful branding, snack or candy packaging, and bold headline applications where a friendly voice is needed. It also works well for posters, invitations, stickers, and short callouts that benefit from a soft, hand-made look.
The font conveys an upbeat, approachable tone with a cozy, playful personality. Its soft edges and puffy shapes feel child-friendly and informal, suggesting humor and warmth rather than seriousness or restraint.
The design appears intended to deliver a bold, friendly handwritten print style that reads quickly and feels approachable. Its rounded, inflated construction and gentle irregularities aim to add personality and warmth to display text without relying on connected script forms.
The heavy color and compact counters make it most effective at larger sizes, where the rounded detailing and playful irregularities stay clear. In longer passages at smaller sizes, the dense weight and tight interior spaces can reduce legibility, especially in letters with similar silhouettes.